Eleonora and Joseph: Passion, Tragedy, and Revolution in the Age of Enlightenment. A Novel.

Aristocrat Eleonora Fonseca Pimentel, a revolutionary editor, faces execution in 1799 Naples. Imprisoned, she writes memoirs of her passionate fight and lost love, Joseph Correia da Serra. Years later, Joseph reads her words at Jefferson’s Monticello, revisiting their intertwined Enlightenment legacies. Through salons, cities, and secrets, Eleonora and Joseph reflect an era reshaping their world and ours.

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About the Author: Julieta Almeida Rodrigues
Julieta Almeida Rodrigues is a writer, professor, scholar, and interpreter. Eleonora and Joseph: Passion, Tragedy, and Revolution in the Age of Enlightenment, by New Academia Publishing, is her debut novel. The novel is the Grand Prize Winner, 2022 Goethe Awards for Late Historical Fiction - Chanticleer International Book Awards. The Goethe Book Awards recognize emerging new talent and outstanding works in Post-1750s Historical Fiction. Born and raised in Portugal, Rodrigues earned a PhD at Columbia University, where the renowned Margaret Mead was her dissertation sponsor. Rodrigues is the author of two collections of short fiction, The Rogue and Other Portuguese Stories and On the Way to Red Square (both also by New Academia Publishing). The latter is a fictionalized account of her life in the diplomatic circles of Moscow in the 1980s. She also published a narrative work about Sintra, Portugal, titled Hora Crepuscular/Drawing Dusk/La Hora Crepuscular (Agir, Execução Gráfica). She is a member of the Pen Club of Portugal, the Fulbright Commission Team of Evaluators in Portugal (2014 Prize for International Cooperation, the Prince of Asturias Foundation), and of CLEPUL (Center for Lusophone and European Literatures and Cultures), Faculty of Humanities, the University of Lisbon. She has taught at the University of Lisbon and at Georgetown University, and has been a Visiting Scholar at the New School (twice). She has spoken at the Foreign Service Institute, U.S. Department of State, The Chawton House Library in the United Kingdom, The International Conference on the Short Story, The American Portuguese Studies Association, the Historical Writers of America, and The Chanticleer International Conference, among other institutions and cultural societies. She is a member of the Steering Committee of the Historical Novel Society New York City Chapter. She divides her time between the United States and Portugal.

Website: https://www.julietaalmeidarodriguesauthor.com/
As the novel opens, aristocratic Eleonora Fonseca Pimentel pleads with the High Court of Naples to be beheaded instead of hanged like a criminal. One of the leading revolutionaries of her time, Eleonora contributed to the establishment of the Neapolitan Republic, based on the ideals of the French Revolution. Imprisoned in 1799 after the return of the Bourbon Monarchy - due to her work as editor-in-chief of Il Monitore Napoletano - and while waiting to be sentenced, she writes a memoir. Here, she discusses not only her revolutionary enthusiasm, but also the adolescent lover who abandoned her, Joseph Correia da Serra.

While visiting Monticello many years later, Joseph discovers Eleonora's manuscript in Thomas Jefferson's library. Now retired, Jefferson is committed to founding the University of Virginia and entices Correia with a position in the institution, once it opens. As the twophilosophes explore Eleonora's writing through the lens of their own lives, achievements, and follies, they share many intimate secrets.

Told from Eleonora and Joseph's alternating points of view, the interwoven first-person narratives follow the characters from the elegant salons of Naples to the halls of Monticello, from the streets of European capitals such as Lisbon, London, and Paris to the cultured new world of Philadelphia and the chic soirées in Washington.
Eleonora and Joseph were both prominent figures of the Southern European Enlightenment. Together with Thomas Jefferson, they formed part of The Republic of Letters, a formidable network of thinkers who radically influenced the intellectual world in which they lived - and which we still inhabit today.

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